Stone Island 30: A Dialog With Carlo Rivetti
David: What are the biggest challenges you face going ahead
Carlo: By no means cease! Carrying on trying forward, protecting the proper the method, ardour and power!
David: Trying back, what fabric improvement, analysis or invention are you essentially the most pleased with
Carlo: It’s not a textile that makes me essentially the most proud. In June this year, to rejoice the brand’s anniversary, we produced STONE ISLAND 30 – a three week lengthy retrospective exhibition in Florence in collaboration with the Pitti Discovery Basis.
David: Are you able to describe the exhibition
Carlo: It was set up within the amazing Stazione Leopolda, a 2,500 square meter dismissed mid-19th century practice station. The exhibition included over 200 pieces from the archives, divided in 10 thematic areas representing the innumerable remedies, tests and processes that had been required to create them.
Getting into and strolling through the exhibition, to me, was very emotional. I saw the continuity and coherency within the Stone Island model very clearly. It made me feel actually proud.
David: Do you see Stone Island as a fashion home How do you define the brand
Carlo: We really feel closer to the industrial design world quite than the mens stone island jumper fashion trade. Our garments are conceived as design items, wherein functionality and analysis are basic. We look to vogue in a lateral means, pushed by totally different stimulus. Stone Island is analysis, experimentation, perform and use. It’s a sportswear model that carries on an ongoing investigation, thorough and with out frontiers, on the processing and ennobling of fibres and textiles, main to discover materials and production strategies never used before within the clothes trade.
David: Do you will have an all-time favourite Stone Island piece Carlo: No, I can’t select but each season I have my own knit piece – they ‘re called the ‘President Knits’, they’re full zip knits that you may wear as a jacket, as all of them have a protective detachable lining inside. Season after season we implement them with completely different supplies and applied sciences.
David: What’s development course of like
Carlo: We do exams on dyeing and therapies in our inner colour laboratory. It’s a department ready to combine superior expertise, experience and human information, and it has developed more than 60,000 totally different dyeing recipes throughout the years. We examine the uniform and the workwear world. Our archive is a robust level of reference. I consider that the insatiable curiosity of sounding the present and the tension towards possible futurescenarios are the circumstances for Stone Island’s continuous evolution.
David: In your opinion, what’s the following step in fabric analysis, where will we go from here
Carlo: We are learning materials used within the automobile industry. This is one of the potential future situations.