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Movie Review: When You are Strange

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The ripples from the music of the Doorways proceed to be felt, more than forty years after Light My Hearth first burned up the airwaves (and there wasn’t another track in 1967, with the doable exception of Somebody to Love, that you simply heard extra continuously on the radio).

Yet there are complete generations to whom this seminal rock band is nothing more than part of their mother and father’ deteriorating album assortment or the subject of a fanciful Oliver Stone movie or something that occasionally pops up on the basic-rock station.

So Tom DiCillo’s When You are Strange (opening in limited release on Friday, 4/9/10) is a welcome cinematic excursion, exploration and excavation. Using a nicely understated narration (learn by Johnny Depp) and a trove of archival footage that was beforehand unseen, as properly as the vast Doors musical catalog, DiCillo plunges you into the world of Jim Morrison and his bandmates as they set sail on what was an intense and pervasive 4 12 months trip on the charts and into the psyche of American teens (and the world).

DiCillo makes the clever selection of ignoring the documentary convention of talking heads. No one needs to clarify the Doorways to us; no one has to pontificate or provide retrospective interpretation or knowledge. As a substitute, working from a ton of new footage, DiCillo lets the band and the music converse for itself.

But they achieve this with a minimum of previous interview footage. Somewhat, he takes advantage of the fact that Morrison and keyboardst Ray mens stone island beanie hat Manzarek were both film college students at UCLA, who had the foresight to interact one other would-be filmmaker to comply with them round with a camera, filming them backstage and in performance (normally silently) once they had been at their ease, relatively untouched by the large star-making equipment or their own fame.

That features the opening sequence: a bearded, woozy-wanting Morrison rising from the wreckage of a automobile by the aspect of a desert freeway, carrying a tie-dyed Henley-collared shirt, denims and a bomber jacket. He surveys the scene, then steps to the aspect of the freeway and flags down a car, the place the driver is … Jim Morrison. It’s a part of a movie Morrison himself made in his spare time, after the band hit.

Different sequences stand out, notably a live performance at an out of doors football field on Lengthy Island, wherein Morrison, with no bodyguards or different visible safety, goes out earlier than the concert and simply walks amongst the group, speaking to the children who would engage with him. Some simply wish to touch him, however others seem pleased at the chance to speak with a rock god who was unconvinced of his own divinity.

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